Lectures 25-26
Programme Secretary Mark Duncan
You can view the programme for the whole year, by clicking here.
All lectures start at 10.30 with coffee available from 10am
The lectures are free to members of TASLA. The charge per lecture for Visitors is £10
9th September 2025
From Downton to Gatsby.
by
Andrew Prince
Jewelry and Fashion are often seen as two entirely separate and 
distinct fields of design, but this is very far from the case.
In his talk, Andrew guides you through the extraordinary
decades and events between 1890 and 1929 where the
great couturiers collaborated with the finest of jewelers
to produce jewels and clothes of outstanding quality
and glittering opulence.
14th October 2025
The Baroque Country House
by
Amy Lim
Visiting some of the most iconic houses of the baroque period, 
including Chatsworth, Petworth, and Blenheim. We will meet
the patrons who created them and look at some of the
highlights of their sumptuous interiors, gardens and
collections, addressing the question: what is ‘Baroque’?
11th November 2025
Tintoretto, Painter of the People.
by
Julia Musgrave
His work, characterised by muscular figures, dramatic gestures
and movement takes the art of the Mannerist period into the
Baroque. By the end of his life he was working for the wealthiest in
Venice and for international patrons-yet he never forgot his roots.
9th December 2025
Christmas Ghosts .
by
Kirsty Hartsiosis
Journey back to the earliest winter tales of the Middle Ages and the 
age of Shakespeare and Marlowe through to the 19C when many
traditional Christmas ghost tales were collected. We draw on
midwinter tales from all around Britain and Europe.
13th January 2026
The History of Opera.
by
Jamie Hayes
How opera began, developed and spread worldwide; from 1600 to 
the present day. It looks at the development of opera from its
baroque beginnings right up to the modern-day Hamilton.
10th February 2026
The Glasgow Girls
by
Elaine Hansen
The Glasgow Girls, a group of women artists and designers who studied
and worked in Glasgow at the turn of the twentieth century. They
contributed significantly to the development of the ‘Glasgow Style’,
a distinctive branch of the Arts Nouveau movement of the same period.
The work produced by the principal artists is examined in detail
